Description of the World- Part 51
Richard Trexler, Public Life in Renaissance Florence (The
old rhetoricians treated invention as belonging to memory whereas we seem to
assume that in imagination we possess a magical, if not divine creative power.
I’ve been a skeptic about that since I was tasked to write a one-act play about
the assassination of Lincoln and suddenly realized how blank a sheet of white
paper can be. I don’t remember how far I got with it, but my attempt began with
John Wilkes Booth delivering a drunken soliloquy in his hotel room. If I were
writing it now, I’d have his demented reverie interrupted by a knock on the
door; and Booth would prove himself a competent actor, if not a competent
conspirator, by snapping into character as a born leader, convincing his
accomplices to fall in line with a display of steely resolve® and thus moving
the action on to the next plot point. At the time, I hadn’t read or seen enough
plays to figure out what to do next, and I had to beg off the assignment. Miss
Tinkle, the American history teacher—I don’t remember her real name—was visibly
disappointed. The episode made me understand that a play is not just any
collection of actors doing and saying things on a stage and, more generally,
that genre rules, though they can certainly impede creativity, make it possible
in the first place. The need for structure is just as great in ordinary life,
though we are so accustomed to the roles, scripts, and rituals that we are
ordinarily unconscious of how many of our choices have been made in advance.
That doesn’t mean that we’re mindless jute boxes, just that we normally express
our creativity by the way we play covers. Trexler’s book is about the rituals
of public life in Florence. He’s like a historical Irving Goffman. I especially
appreciated his treatment of the various ways that Florentines made a virtue
out of acting naturally, much in the same way that our ads for mass produced
cars endlessly extol individuality. A contemporary commented: “I don’t want to
say that they do bad who tell you they don’t want you to use ceremony with
them. Indeed I praise it. Because to say this is another type of ceremony and
breeding, with which one suppresses ambition.” Sometimes Trexler violates the
rule that learned people must present themselves as just plain folks as when he
wrote the phrase “Cleisthnian disregard for chthonic solidarities.” I kinda
like that one.)
Piero Camporesi, Bread of Dreams (Those who don’t have
nouns, have adjectives, which accounts for the luxuriant verbal creativity of
inner-city America. Or, in the Italian case:
“Many people, in the fifteenth and sixteenth centuries, were reduced to
living mainly on beau langage and feasting on names instead of tasting
things.” Camporesi doesn’t leave it at verbal delirium. It’s his thesis that
hunger, adulterated food, low-level infections, and dubious medicines combined
to create a peasant class that lived in a more or less permanent hallucination.
Most of the evidence is indirect as is the usual situation when anybody tries
to discover or even simply imagine what was going on in the dark matter of
human history. Camporesi relies on records and literary echoes about life in
what were then the Papal States. That struck me as a little ironic since
Pellegrino Artusi, author of the first great Italian cookbook came from this
same hungry neck of the woods.)
C.W.C.Oman, The Art of War in the Middle Ages (When I
cared about such things, I’d pick up books like this because I liked their
maps.)
John Ellis, The Social History of the Machine Gun (The
machine gun, which was originally a symbol of the triumph of technology over
courage, became democratized. One of my favorite illustrations in this little
book is an ad for a Thompson machine gun that shows a cowboy using a tommy gun
to fend off attacking Indians. Ellis’ book was written too early to witness the later stages of this story in
the long era of the AK-47, but he saw it coming: “The machine gun has now
become personalised, itself the means by which men desperately try to make
their mark on a world in which they feel increasingly powerless. In the fantasy
world at least technology is turned against itself.” In the fantasy world and
also in Eastern Oregon.)
Alvin D. Coox, Nomonhan: Japan Against
Russia, 1939, two volumes (These books were designed by a friend of mine,
Lisa Mirski, who gave them to me. The topic is esoteric, but not insignificant,
a unofficial border fight between the Soviets and the Japanese in Eastern
Mongolia. Led by general Zhukov, who was to become much more famous in the
upcoming European war, the Reds crushed the Kwantung Army and gave the Japanese
a lesson they took to heart. Nomonhan was in the background of the Japanese
decision not to attack the USSR in ’41. The book provides a wonderful display
of the mindlessness of military nationalism.)