M814
With
the election coming up Tuesday, I thought it would be a good time to write down
some thoughts I’ve had for a long time about mythology—actually, heavy drinking
seems even more appropriate, but I’ve been advised to lay off the hard stuff.
Most
explanations of mythology that I’ve encountered treat it as a form of allegory
as if the Gods, heroes, talking animals, and all the rest were simply animated
hieroglyphics that convey a moral or theological message in pictures instead of
concepts. Why it is necessary to
spin tales of sneaky serpents or thunder gods to get us to eat our spinach or
understand the weather is not clear. There’s another problem with the allegory
theory: there are, after all, literary works that are clearly allegories in an
unambiguous sense. The Fairy Queen, Piers Plowman, and Pilgrim’s Progress come
to mind. These works have their
charm, but the pleasure and fascination of myth is rather different.
What
beguiles us in myths is precisely the fact that they can’t really be explicated
in literal terms the way that a pageant of the Seven Deadly Sins boils down to
Aristotelian ethics. As Levi-Strauss insisted sixty years ago, the only
interpretation of a myth is another myth. Unlike philosophical, scientific, and
even theological discourse, myth operates on a single surface, albeit a surface
with a twisted topology. Since
there is only a single sheet, it is impossible to ever nail things down. The
this world and the other world of modern religions, the reality and appearance
of the idealists, the words and the things of the linguists, and the other
contrasting dimensions of various non-mythic forms of thought make possible a
kind of dual-entry bookkeeping because they provide two separate registers that
can be correlated. Myth doesn’t do that. Dreamtime is always just another part
of the forest.
Everyone
has been denouncing the indeterminacy and pluralism of myth for millennia,
presumably in the name of avoiding irrationality. Personally, I agree with
William James that it is mostly a matter of taste whether you like your
irrationality spread out through the world or you’d rather gather it together
in one tight bouquet in the form of God, the labor theory of value, or the
definitive symmetry break of the Big Bang. It isn’t obviously right to opt for
either methodological or metaphysical monism over theoretical or practical
polytheism. After all, the determination to get to the bottom of things not
only makes the assumption that things have a bottom, but implies that
fundaments are fundamental. The war on mythology invokes its own myth, the very
potent myth I used to call the myth of mythology, namely the presumption that
things are explained by their origins.*
The
bias in favor of a single explanation is not merely personal, of course. It
defines a big swatch of civilization. I remember the bemused look I got back in
the eighth grade when I asked Mr. Masters why, in its account of Ikhnaton, our world
history textbook obviously presumed that monotheism was progress. After all, if
it turned out there weren’t any gods at all, why did it make a difference how
many gods there weren’t? The philosopher of science Paul Feyerabend raised a
similar point about how traditional histories of philosophy lionize the
rationalism of Xenophanes, a poet who made fun of poetry with its tales of the
battles fought with titans and giants and promoted an austere theology in
which God “alone is the greatest, the greatest of gods and of men, not
resembling the mortals, neither in shape nor in insight.” This is an advance, why? If a god, even
the God, is going to have purposes, which is something that only makes sense
for animals to have, why shouldn’t he have girl friends that turn into trees or
at least a belly button? (I admit that last bit isn’t exactly Feyerabend’s way
of putting things.)
Christianity
has always had a special relationship with philosophy since Greek philosophy is
one of the basic ingredients that went into its original recipe, the other
three being Jewish prophesy, Roman political organization, and the marketing
methods of Near Eastern religious entrepreneurship. Because it does have an
essential link to philosophy, it is quite possible to interpret Christianity as
an anti-mythological or even anti-religious or atheistic religion and many of
its critics and some of its friends have been making this point from the time
of Celsus to that of Slavoj Zizek. Nevertheless, Christianity does have a real
mythology, and making your peace with mythology has the advantage of making it
possible to dispense with incredibly boring arguments about natural theology in
favor of perceiving the power of the stories that underlie it. Hegel’s version of
Christianity, with its emphasis on the theme of mediation, provides a
mythological gloss on the religion’s mythology. So does the Marxist tradition,
which is why I sometimes think of it as the fourth great Abraham religion. What
I really want, however, is something a bit more anthropological. I’d like to
raise Levi-Strauss from the dead and compel the resulting zombie to produce a fifth
volume of the Introduction to the Science of Mythology.
The
very first myth in the Raw and the Cooked, M1, is the tale of the Bird Nester,
which tells of the rape of a woman by her son. The father detects the crime
and, after a long series of attempts at revenge, apparently succeeds. During
what is supposed to be a hunt for macaws, he manages to strand the boy half way
up a cliff where he clings suspended by a rod and is eventually assailed by
vultures that devour his buttocks. Though apparently hors de combat, the bird
nester recovers by molding himself an artificial behind from pounded tubers; and
eventually returns to his people where he kills his father and throws the body
into a lake where carnivorous fish devour most of it. The lungs float to the
surface where they become aquatic plants.
The
attentive reader will perhaps note the parallels with a myth from another,
rather distant tribe, though there are differences that obscure the similarity
of the armature of the tales. Instead of the son raping the mother, for
example, in M814** it is a spirit father that impregnates
the mother and engenders the son, though, since the son turns out to be
co-substantial with the father, it could be argued that he also had sex with
his mother. In both myths, the son is suspended between heaven and earth,
undergoes a long ordeal, and apparently dies only to return after an interval.
In M1, the son returns to revenge himself and establish justice. In M814 he
returns to grant mercy. In the M1, the son kills the father and
turns him into aquatic vegetation. In the M814, the father allows
the son to die and, as a result, to transform into a persistent spirit. To
fully explicate the nexus between these stories, it would be necessary to bring
in other myths and explore, in particular, the contrasts, parallels, and echoes
between them and the tale of the Garden of Eden and the saga of Prometheus. One would also need somebody with more patience and erudition than me. That’s why
we need an angel to roll away the stone at Claude’s tomb.
_________
*Hence
the many arguments that are formally similar to the Cosmological argument for
the existence of God and do not manage to get beyond myth but merely present its
generating contradiction in a concentrated form. Which is to say that such
arguments all turn out to be instances of the Asparagus fallacy. Note the
parallel between
Everything
has a cause, but that would lead to an infinite regress. Therefore at least one
thing doesn’t have a cause.
And
I’m
glad I don’t like asparagus because if I liked it, I’d eat it and I can’t stand
it.
What
we have here is begging the question played backwards. The conclusion is not a
more or less disguised version of the premise, but its denial.
** The Gospel According to
St. Matthew